There’s a popular saying in photography: “The best camera is the one that’s with you,” a quote by Chase Jarvis that i’ve resonated with. I’m not someone who always chases the latest gear, but that doesn’t mean I’m not tempted. Seeing what’s possible with new cameras today is genuinely intriguing. However, for one reason or another, whether it’s budget, timing, or just life intervening, I’ve stuck with what I have and made it work.
The best camera is the one that’s with you. – Chase Jarvis
Since 2008, my main cameras have been a Canon 60D, a Canon RP, a Ricoh GR III Diary, and a GoPro Session. None of them were top-tier when I bought them, but I’ve spent years learning each one inside and out, focusing on maximizing their potential. Instead of constantly upgrading, I’ve chosen to dive deep into my gear’s capabilities, and that approach has served me well.
When I was shooting professionally, I often rented high-end equipment, thinking I’d make it my primary setup. But in the heat of the moment, when I needed to adjust settings quickly or felt the pressure to get the shot, I always defaulted back to my own cameras. The rented gear often ended up as a backup, while my familiar setup did the heavy lifting. It wasn’t about rejecting better gear; it was about trusting the gear I knew.
This mindset doesn’t just apply to photography; it’s a reminder that you don’t need the best of everything to do great work. It’s easy to feel like you need the latest tools to advance, but buying your way in doesn’t always work out. Skills are honed by putting in the work, understanding your tools, and finding your own style. New gear can inspire, but it’s the time you invest in learning and creating that truly elevates your craft. Plus, once you’ve mastered getting a great shot with what you have, using high-end equipment feels even more rewarding when you finally get the shot.
At the end of the day, it’s not about having the most expensive or advanced equipment. It’s about making the most of what you’ve got. Spend time with your gear, learn its quirks, and push its limits. The camera doesn’t make the shot—you do.
